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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Gordon Watson

Gordon Watson AM

Gordon Watson AM (1921-1999), pianist and teacher, taught at the Sydney Conservatorium of Music from 1964 to 1986 and was head of its keyboard department when he retired.

1 portrait in the collection

Benny (42nd Street Series), 1979–80 by Larry Clark

City boys

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman immerses himself in Larry Clark’s field of vision.

Tom Roberts

Tom Roberts

Tom Roberts (1856–1931), artist, came to Australia from England at the age of 13, but returned eight years later to study art in London.

9 portraits in the collection

General Cosgrove, Dili, East Timor 1999

General Cosgrove, Dili, East Timor 1999

General Cosgrove, Dili, East Timor 1999

General Cosgrove, Dili, East Timor 1999, 2006

Portrait, oil on canvas

Collection: National Portrait Gallery
Purchased with funds provided by Andrew Cannon and L. Gordon Darling AC CMG 2006

image not online

Carol Jerrems

Carol Jerrems (1949–1980) was a photographer known for her intimate portraits of friends, lovers and others occupying the progressive social and creative circles in which she moved.

9 portraits in the collection

Madame Sibly, Phrenologist and Mesmerist

Madame Sibly, Phrenologist and Mesmerist

Madame Sibly, Phrenologist and Mesmerist

Madame Sibly, Phrenologist and Mesmerist, c. 1870

Portrait, albumen silver carte de visite photograph

Purchased 2017

Marcia Langton

Collection in focus: Brook Andrew

Previous exhibition, 2017

Experience the artistic clout of Brook Andrew’s portraits of Marcia Langton AM and Anthony Mundine.

Untitled #1, 2012 by Ahmad Sabra

Ahmad Sabra

Finalist interviews

We were in Gaza shooting a documentary and we had heard about the orphanages and wanted to visit and document some of the children who had lost parents during the wars in Gaza.

Professor Peter Doherty

Rick Amor

Previous exhibition, 2014

Rick Amor, noblest yet most unaffected of contemporary Australian portraitists, is also a painter of enigmatic, ominous landscapes, seascapes and cityscapes that haunt the viewer like dreams, dimly-recalled.

General Cosgrove, Dili, East Timor 1999

On active service

Magazine article by Sam Bowker, 2007

The National Portrait Gallery has acquired an evocative depiction of soldier Peter Cosgrove by the Victorian-based painter, printmaker and sculptor Rick Amor.

Cormac and Callum, 2008 by Ingvar Kenne

National Photographic Portrait Prize 2009

Previous exhibition, 2009

In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.

Cormac and Callum, 2008 by Ingvar Kenne

NPPP 2009 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2009 Prize.

Kid A, 2014 by Joshua Morris

Swimming every day

Magazine article by Dr Christopher Chapman, 2015

National Photographic Portrait Prize judge Christopher Chapman connects this year’s entries to iconic contemporary american photographers.

Kid A, 2014 by Joshua Morris

Swimming every day

NPPP 2015 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2015 Prize.

Andy Thomas

Uncommon Australians

The vision of Gordon and Marilyn Darling

Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

Self-Portrait, 1981 by Don Bachardy

Drawing inspiration

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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